9.98 KB 05 Breathe.mp3 5.54 MB _____padding_file_4_if you see this file, please update to BitComet 0. 78.26 KB 02 Solo.mp3 5.06 MB _____padding_file_1_if you see this file, please update to BitComet 0. Replay music store. 69.16 KB 03 So Big.mp3 5.19 MB _____padding_file_2_if you see this file, please update to BitComet 0. 58.79 KB 04 OK.mp3 5.74 MB _____padding_file_3_if you see this file, please update to BitComet 0. 89.52 KB 06 Heartbeat.mp3 5.25 MB _____padding_file_5_if you see this file, please update to BitComet 0.
Edge Collection Photoshop, free edge collection photoshop software downloads, Page 3. Sharpen the edges of a portrait without sharpening the skin. This sharpening technique detects edges and applies sharpening only to the edges. To start, we’ll apply a simple sharpening to the image. Noncommercial forum for users of Adobe Photoshop Elements, providing technical support and creative outlets. Skip Navigation. EDIT 2: My above post was while I was still in E12 after using Refine Edge; I moved back to good old trusty E7 and the situation was reversed = greyed out for layer mask and ready to use for transparencies. Aug 01, 2016 Microsoft Edge is set to open vector files with photoshop and changing the file to.ps and then cant even open the file. I need to 'undo' Hello, please help me.
Note:
Refine edge tool is no longer part of newer versions of Photoshop. Photoshop has replaced the Refine edge tool with Select and Mask tool 2017 onwards. To refine this selection I am going to click on refine edge tool on the options bar or just press ctrl+alt+R/cmd+opt+R. Welcome to Adobe Photoshop on Reddit. This group is for general questions, tricks, techniques, troubleshooting and so forth. Feather a selection vs. Refine Edge Tool (self.photoshop). So if you want a uniformly faded edge to your selection, use Feather. For anything more complex, like expanding a selection uniformly or contextually based.
In Photoshop CS6, 3D functionality is part of Photoshop Extended. All features in Photoshop Extended are part of Photoshop. Photoshop does not have a separate Extended offering.
Using the Photoshop Measurement feature you can measure any area defined with the Ruler tool or with a selection tool, including irregular areas selected with the Lasso, Quick Select, or Magic Wand tools. You can also compute the height, width, area, and perimeter, or track measurements of one image or multiple images. Measurement data is recorded in the Measurement Log panel. You can customize the Measurement Log columns, sort data within columns, and export data from the log to a tab-delimited, Unicode text file.
Setting a measurementscale sets a specified number of pixels in the image equal to anumber of scale units, such as inches, millimeters, or microns.Once you’ve created a scale, you can measure areas and receive calculationsand log results in the selected scale units. You can create multiplemeasurement scale presets, although only one scale can be used ina document at a time.
You can place scale markerson an image to display the measurement scale. Scale markers canappear with or without a caption displaying measurement scale units.
Use the Ruler tool to set the measurement scale for a document. You can create measurement scale presets for frequently used measurement scales. Presets are added to the Image > Analysis > Set Measurement Scale submenu. The current measurement scale for a document is checked in the submenu, and appears in the Info panel.
Note:
Measurement scale is set automatically for DICOM files. See About DICOM files.
Choose Image > Analysis > Set Measurement Scale > Default to return to the default measurement scale, 1 pixel = 1 pixel.
Microsoft windows 8.1 pro vl x64 dvd.iso. Measurement scale markers display the measurement scale used in your document. Set the measurement scale for a document before creating a scale marker. You can set the marker length in logical units, include a text caption indicating the length, and set the marker and caption color to black or white.
The scale marker is placed in the lower left corner ofthe image. The marker adds a layer group to the document, containinga text layer (if the Display Text option is selected) and a graphiclayer. You can use the Move tool to move the scale marker, or theText tool to edit the caption or change text size, font, or color.
You can place multiple scale markers in adocument, or replace existing markers.
Note:
Additional scalemarkers are placed in the same position on the image and can obscureeach other, depending on their length. To view an underlying marker,turn off the scale marker layer set.
Youcan measure using the Photoshop selection tools, Ruler tool, orCount tool. Choose a measurement tool that matches the type of datayou want to record in the Measurement Log.
Angle of orientation (±0‑180) of the Ruler tool.
Area of selection in square pixels, or in calibrated unitsaccording to the current measurement scale (such as square millimeters).
4pi(area/perimeter2). A value of 1.0 indicatesa perfect circle. As the value approaches 0.0, it indicates an increasinglyelongated polygon. Values may not be valid for very small selections.
Varies according to the measuring tool used. Selection tool:the number of discontiguous selection areas on the image. Counttool: the number of counted items on the image. Ruler tool: thenumber of Ruler lines visible (1 or 2).
Applies a date/time stamp of when the measurement occurred.
Identifies the document (file) measured.
This is a measurement of brightness, either from 0 to 255(for 8‑bit images), 0 to 32,768 (for 16‑bit images), or 0.0 to 10(for 32‑bit images). For all gray value-related measurements, theimage is internally converted to grayscale (equivalent to choosingImage > Mode > Grayscale) using the defaultgrayscale profile. Then the requested calculations (mean, median,minimum, maximum) are calculated for each feature and for the summary.
Height of the selection (max y - min y), in units accordingto the current measurement scale.
Generates histogram data for each channel in the image (threefor RGB images, four for CMYK, and so on), recording the numberof pixels at each value from 0 to 255 (16‑bit or 32‑bit values areconverted to 8‑bit). When you export data from the Measurement Log,the numeric histogram data is exported to a CSV (comma-separatedvalue) file. The file is placed in its own folder at the same locationwhere the measurement log tab-delimited text file is exported. Histogramfiles are assigned a unique number, starting at 0, and progressingby 1. For multiple selections measured at once, one histogram fileis generated for the total selected area, plus additional histogramfiles for each selection.
The sum of the values of the pixels in the selection. Thisis equivalent to the product of Area (in pixels) and Mean Gray Value.
Identifies and automatically numbers each measurement as Measurement1, Measurement 2, and so on. For multiple selections measured simultaneously,each selection is assigned an additional Feature label and number.
Linear distance defined by the Ruler tool on the image, inunits according to the current measurement scale.
The perimeter of the selection. For multiple selections measuredat once, one measurement is generated for the total perimeter ofall selections, plus additional measurements for each selection.
The measurement scale of the source document (for example,100 px = 3 miles).
Logical units of the measurement scale.
The number of pixels assigned to the scale unit.
Source of the measurement: Ruler tool, Count tool, or Selection.
Width of the selection (max x - min x), in units accordingto the current measurement scale.
When you measure an object, the Measurement Log panel records the measurement data. Each row in the log represents a measurement set; columns represent the data points in a measurement set.
When you measure an object, a new row appears in the Measurement Log. You can reorder columns in the log, sort data in columns, delete rows or columns, or export data from the log to a comma-delimited text file.
You can export data from the Measurement Loginto a comma-delimited text file. You can open the text file ina spreadsheet application and perform statistical or analyticalcalculations from the measurement data.
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In this tutorial, we'll show you a simple technique for creating a torn paper edge effect in Photoshop. The result is subtle, but it can help to add an extra touch of reality to your images. While the technique is basic and is suitable for complete newbies to Photoshop, because it uses a small-sized brush, it can be a bit time consuming if you're applying the effect to a large edge.
Download the Base Image
Download your own copy of tape_cyan.png, which was created in another Photoshop tutorial for How to Create Digital Washi Tape. You can apply this technique to any image element where you want to apply the appearance of torn paper.
This tutorial works for Photoshop Elements as well as Photoshop.
Use The Lasso Tool to Add an Uneven Edge
Use the Lasso tool to give an uneven edge to the two straight edges of the tape.
Select the Lasso tool from the Tools palette — if it isn't visible, click and hold the third entry in the palette (starting from the top left and counting from left to right) until a little flyout menu appears, then select the Lasso tool from there.
Place the Lasso close to the tape and click and drag to draw a random selection across the tape. Without releasing the mouse button, continue drawing the selection outside of the tape until it meets at the start. When you release the mouse button, the selection will complete itself and if you now go to Edit > Clear, the tape that is inside the selection will be deleted. You can now repeat this step at the other end of the tape. When you've done that, go to Select > Deselect to remove the selection from the page. Hack roms gba.
Use The Smudge Tool to Add the Appearance of Torn Paper Fibers to the Edge
Add the subtle torn-paper edge effect using the Smudge tool set to a size of just one pixel. Because the brush is so small, this step can be time-consuming, but the more subtle this effect is, the more effective it will appear when finished.
G X F X 2
First, to make it easier to see what you're doing, add a white layer behind the tape layer. Holding the Ctrl key on Windows or the Command key on Mac OS X, click the Create a New Layer button at the bottom of the Layers palette. This step should place a new blank layer underneath the tape layer, but if it has appeared above the tape layer, just click the new layer and drag it below the tape. Now go to Edit > Fill and click on the Use drop-down and select White, before clicking the OK button.
Next, zoom in, either by holding the Ctrl button on Windows or the Command button on OS X and pressing the + key on the keyboard — or by going to View > Zoom In. (Zoom out by holding the Ctrl or Command key and pressing the – key.) Start with a 500 percent zoom.
F X 2 3 X
Select the Smudge tool from the Tools palette. If it isn't visible, look for either the Blur or Sharpen tool and then click and hold on that to open the flyout menu, from which you can select the Smudge tool.
In the Tool options bar that appears near the top of the screen, click the Brush Settings button and set the size to 1px and the Hardness to 100%. Ensure that the Strength setting is set to 50%.
Place your cursor just inside one of the edges of the tape and then click and drag out of the tape. You should see a fine line drawn out of the tape that tapers off quickly. You now need to continue painting smudged lines like this at random out of the edge of the tape. It may not look very impressive at this size, but when you zoom out, you will see that this gives a very subtle effect to the edge that is similar to the paper fibers visible from a torn edge of the paper.
Add a Subtle Drop Shadow to Enhance the Appearance of DepthF X 2 3 490 In A Graph
This final step isn't essential, but it does help to enhance the sensation of depth by adding a very subtle drop shadow to the tape.
Click the bottom layer to ensure that it's active and then click the Create a New Layer button. Now hold down the Ctrl key on Windows or Command key on OS X and click the small icon in the tape layer to create a selection that matches the tape. Click the new blank layer and go to Edit > Fill and in the dialog, set the Use drop-down to 50% Gray. Before continuing, go to Select > Deselect to remove the selection.
Now go to Filter > Blur > Gaussian Blur and set the Radius to 1 px. This setting gently softens the edge of the gray shape so that it extends very slightly beyond the borders of the tape.
Because the tape layer is ever so slightly translucent, make a selection of the tape layer as before and, ensuring that the drop-shadow layer is active, go to Edit > Clear.
This final step adds a little depth to the tape and will make it look more natural and realistic.
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